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A Twitter account that focuses mostly on PLEDGE and public radio. The world's largest social media platform is a good place for connecting and sharing. Easy and fast, here are pictures of the writing life as I weave my way through it. Interactions with opinion makers mostly in public radio, but not exclusively. Posts about broadcasting, journalism, public radio and the writing process. Audio excerpts from PLEDGE, soundbytes from radio & comments from me.

Don Merrill

A lifelong journalist and writer, Don Merrill has created commentary for newspapers, articles for magazines and news and public affairs for on-air.

He’s been a producer and reporter for civilian and Armed Forces Broadcasting, worked for the Cincinnati Enquirer and was a public affairs specialist for the Federal Government. He especially loves working in radio and has been an avid public radio listener and supporter.

PLEDGE is his first book.

I joined the U.S. Army in 1976 as a clerk-typist, but re-enlisted as a 71 [R]omeo; the military’s designation for broadcast journalist. After attending the joint service Defense Information School at Fort Benjamin Harrison, Indiana, I served at the Pentagon’s Combat Pictorial Detachment, at the American Forces Korea Network and later, at Southern European Broadcasting in Italy.  While in the Army, I went to school and graduated with a two year degree.  I left the service in 1988, moved to Cincinnati and worked at WRRM , WKRC and later, the Cincinnati Enquirer.  

I freelanced part-time in the mid-90s while going to school, but moved to Utah for a federal job in the late 90s and stopped both writing and school.  I started writing again briefly in the mid-2000s however, and during that time, I wrote a lot, including an expose’ on the successes and failures of the Salt Lake City NAACP.  During those 12 years in Utah, I served as a public affairs specialist at a government office and oversaw several large events, including a centennial celebration.  I also returned to school, adding more credits toward my four year degree, which I got in 2010.  I stopped freelancing after retiring in 2012 and moving to Oregon.  

But I started volunteering at KBOO community radio’s news department in Portland almost right away.  And in 2014, I managed a team of reporters for a project funded by the Fund for Investigative Journalism that examined the influence of the American Legislative Exchange Council on the Oregon legislature. In the meantime, I built several websites, including a promo site for PLEDGE. That site has become this site to coincide with the book’s launch.  

I got the idea for PLEDGE because I was annoyed by pledge drives I’d been hearing since the mid 90s, and I decided I wanted to rant about them.  But I quickly realized that public radio is in a terrible spot between money and mission. Going deeper, I learned of things affecting the genre that most people never consider as they listen to their regular shows for days, weeks, months and years on end.  

They include hunts for the ultimate content sharing technology, public radio’s struggles to not lose its soul to corporate money, how it must surveil its listeners to serve them without treating them like numbers or “prey”, how budget cuts can make stations change character or disappear altogether and finally, keeping affiliates from feeling bypassed by networks that have found workarounds to their audiences.  I want readers to buy the book because public radio needs them to understand it much better than they currently can.  That’s because public radio hides its problems and convinces the world that everything is fine while facing stress fractures in every direction.  It needs to be as open and honest about what it essentially is and needs as when it asks for money.  A greater public can more fully support it only if they know the real deal.  

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